The Radavist

At a glance, Los Angeles might not feel very bike-friendly, but scratch the surface like a lottery ticket to find an intertwined network of very open, majestic roads, many within the city itself. If you don’t have time for Dirt Mulholland, or the Angeles National Forest, Griffith Park and the famous Observatory will do just fine, especially if you start your ride out at the Trails for a coffee and pastry.

This particular morning, a solid group of people gathered to ride with LA-based artist and creator of the fabled Mudfoot racing team, Geoff McFetridge. No one was half-wheeling, no personal records were set, we all just chatted as we climbed Griffith Park and took a quick loop through “La La Land”. The ride ended at Geoff’s studio where we were given insight into his daily operations…

See more in the Gallery but first…

During the Tour of California, Rapha North America and PiNP got together once again for a series of stories from the road. Under the guise Cali is Not California™, I took photos and Jeremy Dunn of Rapha North America told the tales, all relating to the thing we love: riding bikes with friends.

See more on this afternoon at Rapha’s blog, including Geoff’s illustration for the La Centieme Poster Collection at the Cycle Club SF.

Tools of the trade:
Yashica T4
Fuji Pro400H

Previously:
Recent Roll: Cali is Not California™

I don’t know about you, but I love looking at photos from the Red Hook Crit races from what I would consider photographers who are “new” to documenting cycling. Some of the best editorial pieces in cycling’s history were written by fresh eyes. Ever read Buzzati’s coverage of the 1949 Tour of Italy?

Two years ago at the Red Hook Crit in Brooklyn, I met Kathryn Friedman, a photographer who happened to ride bikes in NYC and after this year’s Navy Yard crit, she emailed me some photos. I figured I’d let the dust settle a bit from one of the most bloody Red Hook Crit events ever, prior to posting…

Check out a Guest Gallery from Kathryn Friedman below!

Santa Cruz, I think I’m in love and while it may be an infatuation with the trails, the wood or just the people, every time I go there, my heart palpitates. On Wednesday, Vernor scooped me up and we headed south from SF, along the coastal roads. We met up with Garrett from Strawfoot and it was a pleasant surprise.

Strawfoot is one of those companies that I never would have known about if it weren’t for Vernor, so to finally see the operation and bags in person, solidified my expectations. More on that to come but for now, a little on Garrett’s new Hunter disc cross bike.

Bicycle camping in Santa Cruz is something I’ve yet to experience but with its endless amount of fire, frontage and park roads, any weekend can turn into some solitary time in the ‘wood. When Garrett approached Rick Hunter about a bike, Rick wanted to try something a little different.

Discs, a rather unique cable routing style and Sim Works by Nitto components are simply accents to Rick’s excellent craftsmanship and engineering prowess. Ok, I’m done sugar coating the work of Mr. Hunter. This bike rules. It’s going to look better with age, after chips and dings but right now, it’s so easy on the eyes…

These days, I rarely put up A Day in 10 Photos posts anymore and to be completely honest, it’s not intentional. The way I choose to document for the site has changed in the past few years, focusing more on Shop Visits, Beautiful Bicycles and other randomness. Today however just fit right in perfectly with the old ADi10P format.

The stage: a fraction of the many trails in Santa Cruz. With the idea of an early start out the window, we settled for an early afternoon shred fest. The people, Ibis Cycles, Strawfoot and Brian Vernor. Check out 10 narrated photos below and don’t worry, I shot plenty of photos of that Hunter…

Two years ago, Chas and Walton from MASH sat down with the designers at Cinelli in Italy to work on the next track frame. After years of riding track bikes both on the street and in races, the two of these athletes knew exactly what they wanted. The end product was something unlike any track bike Cinelli has made before: a mixture of new technology with performance and practicality in mind.

Last year at Interbike, Cinelli handed over two of the prototypes, which were spraypainted with Montana outside Mash’s flagship store in SF (in fact, you can still see blue and green overspray all over the sidewalk). Chas’ green track bike has traveled the world and seen its share of the fast n loose riding lifestyle. It’s been in multiple Red Hook Crits and bombed the streets of SF and NYC alike.

The most noticeable difference in this frame, versus the older MASH frames include a tapered fork and head tube for added stiffness and proprietary hydroformed Columbus tubing. A level top tube and traditional track geometry add a confident stance to this bike’s profile. In short: the Mash team is very happy with their work and with new paint samples on the way, I had to shoot photos of this bike while it was still built up….

Many thanks to Chas and Lindsey for recommending the sunset bike shoot location and Bucket for showing his appreciation.

While I was in California last month, I worked on a few pieces for the Rapha blog, loosely-related to the Amgen Tour of California, with emphasis on loosely. You’re not going to see any pain face pros, just Regular Riders who we met along our trip from Los Angeles to San Francisco. There’s more on the way, but here’s the first edition of Cali is Not California™!

I’m not the best raconteur but Jeremy Dunn is and he did an exceptional job at profiling some of the people we surveyed, so do yourself a favor and check it out at the Rapha Blog!

Tools of the trade:
Mamiya 7ii / 80mm
Kodak Portra 400

A few weeks ago, on June 2nd, the Austin cycling community came together to help out a local racer and bike messenger named Luke, who had broken his wrist in a crash while racing. Beat the Clock Cycling Club threw one of the biggest alleycats I’ve been to here in Texas to raise money to cover his medical bills (yay America!). Local businesses like Flat Track Coffee, The Liberty and Cycleast showed their support and people from all over Texas showed up on a sunny Sunday afternoon to RACE…

Check out some narrated photos in the Gallery!

Tools of the trade:
Mamiya 7ii / 80mm
Kodak Portra 400

Few people know speed like Emiliano Granado. He’s one of cycling’s most creative and compelling photographers, known best from his work with Daniel Pasley on Manual For Speed and Yonder Journal. Emi’s in your face approach to documenting the sport often results in candid, up close and personal portraits in what many would consider the most inopportune time. Don’t expect podium or finish line shots from Manual For Speed because this is the real side of cycling. MFS spends every waking moment with professional cyclists. They know the tricks of the trade and in many ways, this experience makes MFS one of the most authentic resources for those wishing to see what it’s like to truly be PRO.

The Red Hook Crit Navy Yard was quite the race. A quick, technical course awaited over 100 racers and only 5 would finish. All it took was one big spill to split the field and with Neil Bezdek out in front, it seemed the race was determined after the first lap. Kyle Murphy from MASH SF held Bezdek’s wheel, placing him in second and Marc Marino from Team Chica Sexy won in a sprint for third. Everyone I’ve talked to about the Red Hook Crit Navy Yard said it was one of the fastest races they’ve been in. A true exhibition.

See all of Emiliano’s Guest Gallery from the 2013 Red Hook Crit Navy Yard below!

Something I’ve been saying a lot this past year is how the crit track bike has become its own character within the world of “fixed gear”. Now, I don’t want to generalize too much (I’m guilty of that) but unlike track bikes used to actually race at the track, the crit track bike takes on more eccentric personality. Think of them like a racing machine found in F1 or Nascar. Bright colors, patterns, excessive details that jump out and catch your attention in the four or five seconds of each lap.

The most compelling example in recent months being the Stanridge Speed x Death Spray “magnetic” design or the hyper neon Dosnoventa bikes. Call it what you will but I’ll call it exhibitionist extravagance with two wheels. Case in point are the new Division 1 Cinelli Vigorelli frames. These are full blown, over the top, lightweight race machines.

Custom painted ENVE wheels laced to pink Phil Wood hubs, custom anodized PAUL cranks, custom anodized Thomson stem, Thomson post with a matching Thomson collar, Painted ENVE bars, custom Busyman saddle and bar tape. The guys went all out to match the Cinelli Vigorelli “Giro” pink paint scheme.

Would I ride it? No but I’m a little more reserved when it comes to paint. Besides, I’m a purple kinda guy. Do I think it works in the context of one of the most exhibitionist track bike criteriums of all time? Of course. It’s fun, colorful, will look great at night (in the rain nonetheless) and will match the Division 1 team’s Pee Wee Herman skinsuits to a T. Yes, they even have bow ties.

Call them what you will but Colin Strickland, a local racer, or beast have you, is sitting pretty at number 5 in the Red Hook Crit standings and he isn’t even warmed up yet… Now, if the rest of the team can work together, one of these machines might make it to the podium.

At any rate, a race is a race, a bike is a bike and you can check out more of this excessively extravagant track bike crit machine in the Gallery!

I’m still filing through all of my film photos from the 2013 ATOC but wanted to share with you a few showcasing Garrett Chow and his own FEA-inspired Specialized Venge. Without going too much into what an FEA model is, or Finite Element Analysis, I’ll give you a basic rundown. In a 3D software like Solidworks, an FEA charts the areas of high-stress or load. FEA readouts are essential when prototyping a new frame or component. They allow the designer and the engineer to address areas of high stress.

On a bicycle, these areas tend to be in the bottom bracket, seat mast or seat tube extension and the end of the forks. Garrett used the FEA diagram to become a literal paint sceme on his bike. Some areas have clear lines of demarcation, while others are almost faded into each other. It’s a truly incredible paintjob and the whole time we were walking around the San Jose stage of the ATOC, people were literally picking their jaws up off the ground.

I shot a few portrait-style photos with Garrett on his bike and maybe one day I’ll end up shooting it in more depth, but for now, check out a few more below.

Tools of the trade:
Mamiya 7ii / 80mm
Kodak Portra 400