The Radavist

Andrew stops mid-sentence, pauses, “ooooooh!…….. Oooooh…. oooooh!” his pitch rises to a maniacal school child giggle of surprise and wild childlike delight, like a two-year-olds first taste of cake. Visceral and uncontrollable joy. “Tom!?! Is this a prototype or is this a FUCKING!…. ok…. That’ll do it!” a long pause of wild-eyed observation glancing desperately around the room, eyes hungry for an affirming reaction but forced to settle for Tom’s grinning but nonchalant response of “yea, they’ve gotten lighter as well”. Another longer pause as dust from Tom’s stoic “yogi bear” response settles, a mumbled and affectionate “asshole.” The recording tapers off into minor expletives, mumblings, and the low noises people make to indicate affection for bits of metal when they’re together in sheds.

HIGH STEEP BROKEN MOUNTAINS:  Riding in Threatened Central California Coast Public Land that lost protection to drilling and fracking upon the moratorium lift in December 2019, routing through the Cuyama Valley and Sierra Madre Ridge through Bates Canyon, Santa Barbara Canyon, and Quatal Canyon.

In what I hope will be the first of many monthly(ish) articles, of varying lengths, Nikolai and I visited (in)famous bicycle designer Mike Burrows, who has been a constant in terms of support, inspiration and taking me down a peg or two when I need it (always). Nikolai filmed our trip on my Sony A7iii as part of an ongoing project, so I decided it would be especially fitting for Mike to document our trip on celluloid with my Mamiya C330, and a little Olympus rangefinder on Kodak Portra 800 film.

When I went on my first bike tour in the summer of 2009 from Seattle back to California I had a decision to make, take my camera or take a tent. I grabbed my old Hasselblad 501CM and hit the road. I had never gone on a long-distance tour before and I hadn’t much thought about any of it, I had a copy of Bicycling the Pacific Coast and some camping gear, I was gonna be fineeee. I had no plans for what to shoot along the ride, but when I got home I found that about 90% of the images I had shot were of the many people I encountered along the way. That was a moment of clarity for me and one that would define my photographic motivations for almost a decade afterward.

To begin, it is important to say that I am not a doctor, a data analyst, or an economist. Am I an expert regarding the growing pandemic that is becoming one of the defining events of our lives? No, I am not. I am a bike mechanic who likes to take photos. There are smarter people out there who could (or should) be writing about this, but as it is, you have me. And I find it extremely difficult—even inappropriate—to talk about this year’s Mid South without acknowledging the massive elephant in the room. For some of you, these images or just the thought of a large group gathering may be upsetting. You would be right to feel that way, and I get it. If this were any other year, it would have been a widely celebrated event, filled with love and excitement from the greater cycling community. In a lot of ways, it still was. But given that upside-down is the new normal, here we are.

“I never felt I belonged. I never belonged in my whole life, even as a little kid. I was just different and so I never really found my place till I moved to Nashville…” -Dolly Parton.

From the very first moment you step into Halcyon Bike Shop, you will feel at home. Although it’s not so much like being at a parent’s house. It is more like being at your favorite dive (that arty one on the edge of town), sitting in the booth you always sit. You know the one! It’s in the back corner next to the largest window in the joint with a couple of slashes in the red vinyl backrest. It’s a place where you immediately let your guard down and talk to whoever sits across from you for hours.

FOREWORD: Back in May and into June, I had the pleasure of helping the crew at Angry Catfish for a couple of weeks as their summer season began to pick up. The following is a series of entries from a journal I kept during my time there. My hope is that through these vignettes you will get a glimpse of what it’s like to not only work at one of the most successful bike shops in the country, but be a bicycle salesperson and mechanic in the city of Minneappolis. Think of this as an extended shop visit, one where I get my hands dirty and experience the area and community the way those at Angry Catfish and other locals do. All photos are film, shot on 35mm and 120mm. Enjoy!

Vacation. Holiday. 3-day weekends. From Memorial Day until Labor Day, the road is wide open and the sun is putting in overtime. Taking advantage of those days is key to sucking the last drop from life and its possibilities.

Last summer, I bought a 4 banger Tacoma pickup in Portland and it kickstarted a whole series of road trips. Most of which centered around cycling-related themes or events but it was the interstitial spaces and moments that I remember vividly. Sunsets, sunrises, rain, fog, wind. All of these had a specific scent and sensation. Most of which were captured visually throughout those long summer months.

I carried my Mamiya 7ii with me on every trip, loaded with Portra 400 220 film. It wasn’t until recently that I finally sat and dug through it all, compiling a Gallery of these moments and vignettes. They’re mostly in the correct order, beginning in Portland and traveling down south.

A lot of these spots are well-known, others not so much but they all serve one purpose: to inspire you to travel to the West Coast and see what you’re missing. Pardon the succinct nature of this intro, but there’s not much to say. I’ll let the photos speak for themselves.

Last summer, after Keith Bontrager spoke at Mission Workshop, I got to spend a few hours with him back in his home town of Santa Cruz, California. The intention was pretty simple, gather some ‘lifestyle’ photos for Trek and Bontrager to use in ads, magazines and their photo annual book.