The Radavist

You’ll never know who you’ll meet while on the road, and sometimes, the characters floating around campsites within our National Forests are as colorful as the natural surroundings. While John and Cari were cashing in on some long overdue R&R last week in the mountains of New Mexico, they met a fella with a Ritchey Annapurna and quite the story to tell…

Forever tinkering with his bikes, John recently wrapped up a complete restoration of the 1983 Ritchey Everest that we looked at last year. Remember? The gray one? The bike appeared to have been subjected to a sloppy respray at some point in the early 2000s, and John wanted to restore the bike to its formal glory. 

He pinged Rick at D&D, the guy who has painted more Ritchey frames than perhaps anyone, to respray the Everest in Imron Bright Gold paint with the uber-rare Palo Alto Ritchey decals to finish the look. The Everest also had a “touring package” added when Tom built the frame in 1983. Since John acquired it, the Everest has always felt a bit naked without the proper racks…

We know John’s posted a lot of vintage projects over the past few years, but this might be the best yet! Let’s check it out below…

We’ve looked back at the early works of Jeff Lindsay’s brand Mountain Goat before with John’s Whiskeytown Racer profile but today our focus is a wild creation from 1988; the Mountain Goat Dinoflage Deluxe. Writer Zap Espinoza shares the Mountain Goat origin story and an interview with Lindsay about his work at Mountain Goat—let’s get to it!

Before we jump in, let’s take a look back: This has been such a fun process to undertake over the course of the past nine months. For those who are just tuning in, I bought a frame from Martin, owner of Second Spin Cycles, last year after he had acquired a substantial Fat City Cycles collection. Among his lucky haul was this Yo Eddy! in the team lavender livery with rack mounts, a pump peg, and some frame damage.

While the bike was in Rick’s care at D&D for some repairs and a paint respray, I began collecting period-correct parts from various sources. After re-finishing some of them and getting the bike back, I just finished the build this week. Monday night was the maiden voyage of the new and improved Yo Eddy! and I took some glamour shots here in Santa Fe, so let’s check this beaut out below!

Next week, I’m loading up the Troopy and heading West to the Keyesville Classic. Every year, vintage mountain bike aficionados descend upon the Kern valley to race vintage bikes while the “real” race occurs. This vintage race is quite the spectacle, and if you’ve never seen it in person, you ought to check out Erik Hillard’s gallery he shot a few years ago for The Radavist.

At any rate, I just finished buttoning up my bike I’ll be bringing to Keyesville to ride and, yes, take part in the vintage race. Let’s check it out in detail below…

With Mid South approaching, we were browsing our content from last year’s event when we realized we never posted this gallery. D’oh. At any rate, it’s never too late to share the stoke that District Bicycles brings to Stillwater. Let’s check out Jerod and his Muddy Fox Pathfinder below!

Every bicycle has a story behind it, especially those that are dreamt up over a period of years and eventually brought to life and built from the ground up. This absolutely stunning titanium Black Sheep ‘Speedster’ fat bike is definitely no exception. One could argue it’s a bit of a stretch, but in this case, this bike’s story involves skateboarding and a decades-long journey from the east coast to the west coast, and finally the southwest.

I found this Bridgestone MB-2 as a complete on Marketplace in December of 2021. It’s January of 2023 and I’ve just wrapped up the build. The time in between was spent having some frame modifications made, aging the frame, making custom head badges and acquiring various components. Once I had my parts, the build should have only taken about a day but stretched into a week as I inched along with minor changes. The final outcome, though, is better than I could have hoped!

Every bike has a story, but some intrinsically harbor more nuanced lore. As you might have noticed, over the past few years, I’ve acquired a few Ritchey frames from the 1980s. We’ve previously covered my Everest and the story of Tom’s early Bullmoose designs; I also have a 1985 Annapurna, and this no serial number 1980 Ritchey, which might be the best build yet.

This era of mountain bike design and development is my favorite. In the late 70s, guys like Joe Breeze built beautiful bikes inspired by balloon cruisers and klunkers. Tom Ritchey, inspired by the frenetic energy of the mountain bike genesis, began making fat tire frames in the late 70s. From 1980 through 1981, several bikes left Tom’s shop, including the fabled ‘chicken coop’ bikes, and a few were built void of any serial number.

This bike is the latter, and boy, does it have a story…

What’s this? Another grey, size 23″ Ritchey? Well… yes!

Over the past year, I’ve revisited my love of handmade, vintage bikes and have honed in with particular interest on the work of Tom Ritchey, a builder at the fore of early mountain bike design. My goal in this case study of sorts is to provide a few examples of the major shifts in Ritchey’s production, primarily through the 1980s, with a single specimen representing these stages. My catalog of Ritchey frames includes a recently acquired anonymous 1980 model devoid of serial number, a 1985 Annapurna (arguably the finest bike model Tom ever brazed), and a 1982 Tam that is now being replaced by this 1983 Everest.

Earlier this year, we looked at my 1982 Tamalpais, built to catalog spec and in pristine condition. Yet one thing never really sat well with me about the build: the Bullmoose bars. You see, these early Ritcheys had a very unique Bullmoose that was more complex than the quill stem Bullmoose bars found in the late 1980s.

It’s a long story but one I’ll unravel here…